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Ice Island (theme): Difference between revisions

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{{Infobox-Music
{{Infobox-Music
|title=Ice Island
|track=[[File:KSqS Snow Area.mp3]]
|track=[[File:KSqS Snow Area.mp3]]
|caption=Sample of '''"Snow Area"''' from ''[[Kirby: Squeak Squad]]''.
|caption=Sample of '''"Ice Island"''' from ''[[Kirby: Squeak Squad]]''.
|game1=''[[Kirby: Squeak Squad]]'' (2006)
|game1=''[[Kirby: Squeak Squad]]'' (2006)
|composer=[[Jun Ishikawa]], [[Hirokazu Ando]], [[Tadashi Ikegami]], or [[Shogo Sakai]]
|composer=[[Jun Ishikawa]], [[Hirokazu Ando]], [[Tadashi Ikegami]], or [[Shogo Sakai]]
}}
}}
'''"Snow Area"'''{{title}} is a theme from ''[[Kirby: Squeak Squad]]'' that plays in [[Ice Island - Stage 2]].
'''"Ice Island"'''{{title}} is a theme from ''[[Kirby: Squeak Squad]]'' that plays in [[Ice Island - Stage 2]]. It can also be found in the [[Jukebox#Kirby: Squeak Squad|Sound Room]] as track 10.


==Composition==
==Composition==
[[File:KSqS Ice Island - Stage 2.png|thumb|200px|left|Kirby navigates the snowy area.]]
[[File:KSqS Ice Island - Stage 2.png|thumb|200px|left|Kirby navigates the snowy area.]]
"Snow Area" is a calm yet poignant theme in C major and 4/4. It starts off with a simple C-G-C accompaniment, as well as a rhythmically loose clarinet double dominant solo that immediately showcases the music's tonal instability. The string melody features a rising sequence of falling major triads, played twice. The first time it soon returns to its original height, while the second features a faint counterpoint in the likes of the intro, and the melody reaches G major. The nostalgic second section features a desending G minor scale-like synth passage similar to the fourth section of "[[Prism Plains (theme)|Prism Plains]]". In its development it briefly reaches back up before ultimately descending to D minor. The development continues with frequent modulations before winding up at a prolonged dominant to C major. The track loops from the first section.
"Ice Island" is a calm yet poignant theme in C major and 4/4. It starts off with a simple C-G-C accompaniment, as well as a rhythmically loose clarinet double dominant solo that immediately showcases the music's tonal instability. The string melody features a rising sequence of falling major triads, played twice. The first time it soon returns to its original height, while the second features a faint counterpoint in the likes of the intro, and the melody reaches G major. The nostalgic second section features a desending G minor scale-like synth passage similar to the fourth section of "[[Prism Plains (theme)|Prism Plains]]". In its development it briefly reaches back up before ultimately descending to D minor. The development continues with frequent modulations before winding up at a prolonged dominant to C major. The track loops from the first section.


{{Navbox-KSqS Music}}
{{Navbox-KSqS Music}}
[[Category:Music in Kirby: Squeak Squad]]
[[Category:Music in Kirby: Squeak Squad]]

Latest revision as of 14:56, 23 April 2024

Ice Island
Sample of "Ice Island" from Kirby: Squeak Squad.
Details
Debut appearance Kirby: Squeak Squad (2006)
Composer(s) Jun Ishikawa, Hirokazu Ando, Tadashi Ikegami, or Shogo Sakai
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"Ice Island"[conjectural title] is a theme from Kirby: Squeak Squad that plays in Ice Island - Stage 2. It can also be found in the Sound Room as track 10.

Composition[edit]

Kirby navigates the snowy area.

"Ice Island" is a calm yet poignant theme in C major and 4/4. It starts off with a simple C-G-C accompaniment, as well as a rhythmically loose clarinet double dominant solo that immediately showcases the music's tonal instability. The string melody features a rising sequence of falling major triads, played twice. The first time it soon returns to its original height, while the second features a faint counterpoint in the likes of the intro, and the melody reaches G major. The nostalgic second section features a desending G minor scale-like synth passage similar to the fourth section of "Prism Plains". In its development it briefly reaches back up before ultimately descending to D minor. The development continues with frequent modulations before winding up at a prolonged dominant to C major. The track loops from the first section.