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Yuuta Ogasawara: Difference between revisions
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*''[[Kirby 30th Anniversary Music Festival]]'' (conductor for "Kirby Through the Years: 1993-2004", "Kirby Through the Years: 2005-2022", "Special Live Performance: Green Tree Memories", and "Special Live Performance: WELCOME TO THE NEW WORLD!"; drums and arrangement of "King Dedede Medley") | *''[[Kirby 30th Anniversary Music Festival]]'' (conductor for "Kirby Through the Years: 1993-2004", "Kirby Through the Years: 2005-2022", "Special Live Performance: Green Tree Memories", and "Special Live Performance: WELCOME TO THE NEW WORLD!"; drums and arrangement of "King Dedede Medley") | ||
*''[[Kirby's Dream Buffet]]'' (Lead; with Jun Ishikawa, Shogo Sakai, Hirokazu Ando, Megumi Ohara, and Yuki Shimooka) | *''[[Kirby's Dream Buffet]]'' (Lead; with Jun Ishikawa, Shogo Sakai, Hirokazu Ando, Megumi Ohara, and Yuki Shimooka) | ||
*''[[Kirby's Return to Dream Land Deluxe]]'' (with Hirokazu Ando, Yuki Shimooka, Jun Ishikawa, [[Kiyoshi Hazemoto]], and [[Yuki Kato]]; solely credited for " | *''[[Kirby's Return to Dream Land Deluxe]]'' (with Hirokazu Ando, Yuki Shimooka, Jun Ishikawa, [[Kiyoshi Hazemoto]], and [[Yuki Kato]]; solely credited for "Roar of Dedede" returning from ''Kirby and the Forgotten Land'') | ||
==Song credits== | ==Song credits== | ||
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{{col-break|width=20%}} | {{col-break|width=20%}} | ||
*The Greedy King | *The Greedy King | ||
*[[Kirby Dance (theme)|Kirby Dance ( | *[[Kirby Dance (theme)|Kirby Dance (Long)]] | ||
*[[Kirby Dance (theme)|Kirby Dance ( | *[[Kirby Dance (theme)|Kirby Dance (Short)]] | ||
*[[Chop Champs (theme)|Chop Champs]] | *[[Chop Champs (theme)|Chop Champs]] | ||
*[[Let's Make a Log House]] | *[[Let's Make a Log House]] | ||
*[[Star Slam Heroes (theme)|Star Slam Heroes]] | *[[Star Slam Heroes (theme)|Star Slam Heroes]] | ||
*[[Air Ride: Nebula Belt|To the End of the Galaxy]] | *[[Air Ride: Nebula Belt|To the End of the Galaxy]] | ||
* | *Standings | ||
{{col-break|width=20%}} | {{col-break|width=20%}} | ||
*The First Bonjam | *The First Bonjam | ||
Latest revision as of 19:38, 21 May 2024
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Yuuta Ogasawara (小笠原雄太 Ogasawara Yūta, born July 2, 1987) is a sound composer at HAL Laboratory.
Biography[edit]
Yuuta Ogasawara graduated from HAL Tokyo College of Technology & Design (not to be confused with HAL Laboratory which is not associated). Before joining HAL Laboratory, he was a freelance composer and once worked in the sound production team Tritium.[1] He joined HAL Laboratory in August 2017.[2]
List of works[edit]
- Kirby Star Allies (with Hirokazu Ando and Jun Ishikawa)
- BoxBoy! + BoxGirl! (with Hirokazu Ando and Jun Ishikawa)
- The Sound of Kirby Café 2 (with Hirokazu Ando, Jun Ishikawa, Shogo Sakai, Megumi Ohara, and Yuki Shimooka)
- Kirby and the Forgotten Land (Lead Sound; with Hirokazu Ando, Jun Ishikawa, and Yuki Shimooka)
- Kirby 30th Anniversary Music Festival (conductor for "Kirby Through the Years: 1993-2004", "Kirby Through the Years: 2005-2022", "Special Live Performance: Green Tree Memories", and "Special Live Performance: WELCOME TO THE NEW WORLD!"; drums and arrangement of "King Dedede Medley")
- Kirby's Dream Buffet (Lead; with Jun Ishikawa, Shogo Sakai, Hirokazu Ando, Megumi Ohara, and Yuki Shimooka)
- Kirby's Return to Dream Land Deluxe (with Hirokazu Ando, Yuki Shimooka, Jun Ishikawa, Kiyoshi Hazemoto, and Yuki Kato; solely credited for "Roar of Dedede" returning from Kirby and the Forgotten Land)
Song credits[edit]
The following are all Kirby songs Yuuta Ogasawara has been credited for being in charge of:
Kirby Star Allies[edit]
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The Sound of Kirby Café 2[edit]
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Kirby and the Forgotten Land[edit]
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Kirby 30th Anniversary Music Festival[edit]
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Kirby's Dream Buffet[edit]
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Trivia[edit]
- Yuuta Ogasawara's compositions are indicated with yellow musical notes in the Jukebox.
- Void Termina Phase 4's voice was sampled from the voices of Yuuta Ogasawara himself, Shinya Kumazaki, Hirokazu Ando, and Yumi Todo.[3]
References
- ↑ Yuuta Ogasawara's SoundCloud
- ↑ Yuuta Ogasawara's profile on Made with Unity official website
- ↑ Translation of the preview of the "Sound Staff Round-table Discussion"
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