Each to His Own World
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"Each to His Own World" is a cutscene theme from Kirby's Return to Dream Land that plays during the eponymous cutscene. It was composed by Hirokazu Ando.[1]
Composition
Being the final story cutscene theme, "Each to His Own World" features several distinct sections and motifs. It begins with the initial phrase of "Road to Victory", played over and over in D minor. As the dimension begins to shatter, vocals join, and the harmonies slowly change, adding more suspense. The music eventually slows down. With the appearance of the Lor Starcutter and Landia, the motif from "Halcandra: A New Enemy" picks up the pace again with the piano and brass. As the heroes fly on Landia's back, a stringed "The Adventure Begins" replaces "Road to Victory", and a resolute "Four Adventurers: Cookie Country" is played by several instruments along with "Kirby's Triumphant Return", hinting at F's doninant. A final G-flat (F-sharp) major "Four Adventurers: Cookie Country" phrase plays. When this motif ends, "Road to Victory" returns in a style similar to Dimensional Silence" and fades out together with the portal.
Mirroring "A Visitor from Afar", "Road to Victory" plays once more in F major, with a gentle phrase of "The Adventure Begins" from the orchestra bells. When Kirby and co. wake up, a cheery and somewhat goofy piano intro leads to a recorder's "Magolor, the Far-Flung Traveler", which ends with the motif of "The Adventure Begins", revealing their innate similarities. Finally, harmonic G-flat (F-sharp) major returns with a last, nostalgic and triumphant "Four Adventurers: Cookie Country" (specifically as heard in "The Adventure Begins"), growing into a major flute "Road to Victory" as the group bids farewell to Landia and the Starcutter. The strings play a final perfect cadence in conclusion of the adventure.
Game appearances
Kirby's Return to Dream Land / Kirby's Return to Dream Land Deluxe
In Kirby's Return to Dream Land and its remake, "Each to His Own World" plays during the cutscene with the same name. In Kirby's Return to Dream Land Deluxe, the first portion of this theme is used for "Hitting Rock Bottom", the opening cutscene of Magolor Epilogue: The Interdimensional Traveler, corresponding to Magolor's side of the story. This version is composed by Yuki Shimooka.[1]
Kirby Star Allies
In Kirby Star Allies, an arrangement of the first section of the theme titled 淵源を巡る回廊 ("Halway Back to Origin") plays in the rest area prior to the fight against Void Termina in Soul Melter EX.
Names in other languages
Each to His Own World
| Language | Name | Meaning |
|---|---|---|
| Japanese | 全てキエテ 〜 それぞれの世界へ |
Everything Vanishing ~ To Each World |
| Chinese | 全部消失～去各自的世界 |
Everything Disappearing ~ Each to Their Own World |
| Dutch | Ieder terug in zijn eigen wereld | |
| French | À chacun son monde | To each his own world |
| German | Jeder zurück in seine Welt | Everyone back to his World |
| Italian | Si torna a casa | |
| Korean | 모두 사라져라~각자의 세계로 |
Everything Vanishing ~ Each to Their Own World |
| Brazilian Portuguese | Cada um em seu mundo | Each on their own world |
| Latin American Spanish | Cada quien a su mundo | Each to their own world |
| European Spanish | Cada cual a su planeta | Each to their own planet |
Hitting Rock Bottom
| Language | Name | Meaning |
|---|---|---|
| Japanese | 堕チテ、ハルかドンゾコニ… |
I've Fallen Far to the Bottom... Note the specific use of 堕ちる instead of 落ちる; the latter denotes a generic fall, but the former is specifically used in the context of a soul falling into a realm of punishment or suffering. |
| Traditional Chinese | 墜落到遙遠的深淵…… |
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| Simplified Chinese | 坠落到遥远的深渊…… | |
| Dutch | Aan lagerwal geraakt | |
| French | Toucher le fond | Hitting the bottom |
| German | Besiegt und halb am Ende | Defeated and half at the End |
| Italian | Toccare il fondo | Hitting the bottom |
| Korean | 떨어져, 아득히 먼 밑바닥으로... |
Fall, Far to the Bottom... |
| Brazilian Portuguese | No fundo do poço | At rock bottom |
| Latin American Spanish | Tocando fondo | Hitting bottom |
| European Spanish | En lo más bajo | At the very bottom |
References
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